On Repeat: Akdong Musician - Eyes, Nose, Lips (Taeyang Cover)
They’re just great.
They’re like 18 and 15
What am i doing with my life
…Still in love with the brother though….
On Repeat: Akdong Musician - 200%
I’m in love with this song.
I’m in love with their voices
They really have a unique sound
I’m in love with the brother haha
This week, India became the first Asian nation to reach Mars when its orbiter entered the planet’s orbit on Wednesday — and this is the picture that was seen around the world to mark this historic event. It shows a group of female scientists at the Indian Space Research Organization (ISRO) congratulating one another on the mission’s success.
The picture was widely shared on Twitter where Egyptian journalist and women’s rights activist Mona El-Tahawy tweeted: “Love this pic so much. When was the last time u saw women scientists celebrate space mission?”
In most mission room photos of historic space events or in films about space, women are rarely seen, making this photo both compelling and unique. Of course, ISRO, like many technical agencies, has far to go in terms of achieving gender balance in their workforce. As Rhitu Chatterjee of PRI’s The World observed in an op-ed, only 10 percent of ISRO’s engineers are female.
This fact, however, Chatterjee writes, is “why this new photograph of ISRO’s women scientists is invaluable. It shatters stereotypes about space research and Indian women. It forces society to acknowledge and appreciate the accomplishments of female scientists. And for little girls and young women seeing the picture, I hope it will broaden their horizons, giving them more options for what they can pursue and achieve.”
To read Chatterjee’s op-ed on The World, visit http://bit.ly/1u3fvGZ
Photo credit: Manjunath Kiran/AFP/Getty Images
Oostelijk Flevoland/Holland, 52°32’58”N 5°33’57”E
More amazing drawings from the Bartlett Architecture School show, this time from MArch student Louis Sullivan. He proposes a ‘Living Dam’ which would provide homes for 10,000 inhabitants and: “Together with the integration of ecology, society and infrastructure…is a physical model of a modern ‘hydraulic civilisation’; a community and society sustained and dependant on its control, management and utilisation of water.”
"Whilst providing a store for the national asset of water, the project simultaneously provides a series of tiers, terraces, weirs and platypuses which house a series of beneficial ecologies such as reedbed systems, watercress fields, ponds, lakes and elevated fruit gardens for the water to flurry and flow through, building upon the technology of the Living Machine which segregates wetland ecologies into useful components for accelerated water filtration. The ecologies maintained within the dam go beyond the bucolic, and provide purification and filtration of the water beyond EU drinking water directive 98/83/EC as well as nourishing foods for the occupants to maintain and harvest."
“‘The Living Dam’ is towards a new typology of dam - away from the image of solitary hydrological infrastructures, and towards a model which is not only integral but also integrated with society, which may help alter the public perception of the essential infrastructures and reduce many of the negative consequences associated with dam management.
A ‘useful pyramid’ for the 21st century.”
(Source : lorettabosence)
Émilie Régnier: Mali Passport
via foam: ‘I am really driven by the idea of showing a West African society that is growing,’ says Régnier. That means ignoring the easy and the rote: pictures of elites quaffing champagne, or images cataloguing the atrocities of war. Witnessing with a camera takes many forms. For Régnier, photographic truth is located in the bodily presence of young West Africans proudly negotiating their future, a diverse future of many possibilities.’
Artist David Bowen is known for his kinetic sculptures that are driven by real-world data from natural phenomenon. For his work “Tele-Present Water,” first exhibited at the National Museum in Wroclaw, Poland, Bowen pulled real-time wave intensity and frequency data from the National Oceanic and Atmospheric Administration (NOAA) buoy station 46246 (49°59’7″ N 145°5’20″ W) located in the remote Shumagin Islands of Alaska. This information was scaled and transferred to a mechanical grid structure, resulting in an uncanny live simulation of the movement of water from halfway around the world. The piece, along with Bowen’s other works, speaks to the way technology and telecommunications can both alienate us from and unite us with the natural world. While technology has enabled us to control and model phenomena with unprecedented precision, it may also provide a means to understand the world in a more intimate, visceral way.
(Source : designboom.com)